This was a test photo painting I did, when I was thinking about doing some comics drawn on photos.
Werner Herzog’s poetic, fever-dream account of the making of ‘Fitzcaraldo’ his most famous film, in which a mad opera lover ( and also, of course, the filmmakers) pulled a boat over a mountain in the Amazon jungle.
The book is based on his diary entries during the long and arduous process of making this strange vision a reality.
It vividly describes, in a different way to the film, life in the jungle — a kind of dreary fecund existence. You can almost smell the rotten fruit and feel the mud, damp and humidity. It’s all very Heart of Darkness and the language and concerns are distinctively Herzog-ian. Ecstatic truths, headless chickens, the raving of Klaus Kinski, the mundane evils of nature…
‘When you shoot an elephant, it stays on its feet for ten days before it falls over.’
‘In the light of the moon, which is not even half full, your own body casts a clear shadow, which obediently shrinks when you tell it to heel.’
The book also gives a flavour (from the most extreme end of the spectrum) of the organised anarchy that is film making. The kind of insane-ness you have to posses in order to convince sceptics to partake in a vision only you can see. Everything becomes a means to an end — the ecstatic and pointless vision of a ship traversing a mountain and nothing and no one can stand in the way of that vision.
There are a lot of insane egos and crazy accidents that radiate around Herzog and he paints himself as calm and rational through it all, even at times of immense stress and lack of sleep, sometimes I found this version of himself hard to believe. Surely no one can be that calm in the face of such chaos?
His strange obsession seems to me a metaphor for the creative insanity of humans and of life itself too – there is a definite connection between the rows of fire ants endlessly carrying things along without quite knowing why – and the crew pulling these (two!) ships and equipment around in the same way.
Saw this at the BFI. Jerzy Skolimowski’s. funny, surreal and sexy coming of age story from 1970.
Mike ( John Moulder Brown) has just left school at fifteen. he gets a job in a suburban swimming baths. He is shown the ropes by Sue (Jane Asher) who he is immediately smitten with. Mike, is awkward and puppyish, as Sue flirts with him at work. Sue fixes Mike up with various scary older women who come into the baths – mainly for her own amusement.
Mike follows Sue on a night off round the sex clubs of Soho with her fiance and spies on her having sex with his school master (who comes in to teach swimming). Mike does lots of crazy childish things to win Sue over and the film ends with a surreal scene in the empty swimming baths, where he tries to seduce her as they boil snow in a kettle and sieve it through her tights (in the context of the story it sort of makes sense!)
I thought it was a brilliant film, really well made and shot through with surreal flourishes, humour and seventies atmosphere.